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essays

papers

   
   

2010

Loss and the Effect of Computer Drawing on Time, Revelation, Iconicity, Authenticity and Morphology in Art Practice, paper by Stephen Bell and Sarah Thompson, published in TRACEY drawing and Visualisation research online journal, December 2010

   
   

2009

My first brush with computer graphics, chapter in "White Heat, Cold Logic: British computer arts 1960-80", Ed. Brown P., Gere C., Lambert, N., Mason, C.,Cambridge Mass, MIT Press

   
   

1996

Towards a Virtual Reality Aesthetic Programming Interface, poster presented at Creativity & Cognition 2 Symposium, Loughborough University

   
   

1995

Creative Participatory Behaviour in a Programmed World, Leonardo, V28 No.3

   
   

1994

Algorithm, short catalogue statement, catalogue of ISEA 94, The 5th International Symposium on Electronic Art, University of Art and Design, Helsinki

   
   

1993

Creative Participatory Behaviour in a Programmed World, Proceedings, Creativity & Cognition Symposium, Loughborough University

   
   

1992

Participatory Art and Computers: Identifying analysing and composing the characteristics of works of participatory art that use computer technology, PhD Thesis, Loughborough University of Technology

   
   

1990

Pavlovian Polygons,Computer Graphics 90, Conference Proceedings, Blenheim Online, London

   
   

1989

Using Computers in Art Practice, NASCAAD Newsletter, Spring Issue, National Advisory Service for Computing in Art and Design, Middlesex Polytechnic Further Eductaion Unit