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about | biography

   
    Stephen Bell was born in 1955. He studied Art at Yeovil Technical College, Bristol Polytechnic and The Slade School in London. He has a PhD from Loughborough University of Technology. Since 1989 he has been a Senior Lecturer in Computer Animation at the National Centre for Computer Animation in Bournemouth.    
    Bell's ability in art was recognised at primary school and he continued to study art throughout his school career. Art was always the subject in which he achieved his highest grades. After leaving school he joined the Art Foundation course at Yeovil Technical College from 1973-74.    
    At Bristol from 1974-77 he was able to learn a full range of painting, sculpture and printmaking techniques. He became particularly interested in the subjectivity of the experince of art, the audience's part in the realisation and evaluation of work and the sometimes ritualised nature of this experience, exploring these ideas in work that encouraged audience participation.    
    As a postgraduate student at The Slade from 1977-79 he was able to explore the use of photography, video, installation, performance and documentation. His interest in audience participation led him to investigate the relationship betwen art and play, at the same time he began to learn how to use computer graphics. At The Slade Bell found that he could combine his enthusiasm for fine art and leading edge technology through computer programming.    
    After graduating from The Slade he joined Florian Beigel's architectural research unit at the Polytechnic of North London for three years as a Research Assistant studying architectural geometry, lightweight structures and the relationship between art and architecture.    
    He established the significance of using programming in his art practice as Artist in Residence at the Computing Laboratory of the University of Kent at Canterbury from 1984-85. The residency was sponsored by the Arts Council and South East Arts.    
    Immediately after the residency Bell joined Ernest Edmonds' Computer-Human Interface research centre in Loughborough to explore the aesthetics of interactive computer art, leading to the award of a PhD in 1991 for his thesis "Participatory Art and Computers: Identifying, analysing and composing the characteristics of particpatory art that use computer technology". The PhD was supervised by Edmonds and artist-researcher Susan Tebby.    
   

In 1989 he was appointed as a Senior Lecturer at what became the National Centre for Computer Animation (NCCA) in Bournemouth. At the NCCA for over two decades he has introduced artists and animators to the fundamentals of programming and the potential of the creative use of computer programming in art practice.

   
    He continues to make work using computer programming and also makes photographic and video studies as well as occasional drawings and watercolors.